Edition of 3
Dimensions variable
Stereolithography, Mirror, Glass
About the artwork
"Mirror Mirror on the way, I'll always be myself after all" delves through different layers that range from gender identity to body autonomy with an emphasis on importance of acknowledgement.
The genderless fetus on the mirror is used as a symbol to represent the idea that gender is a social construct and not a biological determinant. The image of a fetus without a defined gender, reflected back to the viewer through a mirror, serves to challenge the traditional binary view of gender and encourages individuals to explore their own gender identity outside of societal norms and expectations.
The work also sheds light on body autonomy as one of the fundamental human right to control what happens to one's own body. It further dives into the context of reproductive rights where body autonomy is central to the issue of abortion rights.
About the artist
Saviya Lopes is a visual artist, based in Vasai (Bassein), India. She graduated from Rachna Sansad AFAC, Mumbai and has participated in various group exhibitions in India and across the globe since 2015. She was a participating artist and later the Director at Clark House Initiative, Mumbai
Coming from the community of East Indian Catholics, she often works with her native history, through family archives and oral narratives; drawing upon activities like quilt making by her grandmother as manifestations of dissent. Her work deftly unpicks; reimagines history and reconsiders it for future generations. It never wavers in choosing a visual language to reinterpret what is lost. Her works really speak on a feminist key, intersectional, where subtlety, transparence, delicacy convey stories of violence, of heritage, colonialism. And so much more that there is to think from them.She is passionate about the role of women in relationship to labour and textile histories. Lopes’s artistic practice draws from experiences in the spaces she inhabits. She looks at the body as an active agent of societal protest and symbolic value. Her work shows interest in the inter- relation between body, language, culture and navigation of spaces.
Solo and group exhibitions include an exhibition at Clark House Initiative, Bombay(2016); Dakar Biennale (2016); Historica – Republican Aesthetics at IMMA, Ireland (2016); Stories My country told me, Asia Culture Centre, Gwangju Biennale (2016); Gondwana Series – An intervention at Centre Pompidou, Paris (2017); Working Practices, The Showroom, London (2018); The Crown Letter Project, Foundation Fiminco, Paris (2021);Bienalsur, Argentina (2021); “No More Ephemeral Bodies | Solo at Kathiwada City House, Mumbai. She has been twice invited to South Korea for Gwangju Biennale as a fellow to participate and has participated as a visiting speaker at the Asia Art Space, Network Asia, South Korea. She is currently on the curatorial team for the Kochi Students Biennale 2022.
